Welcome to the Mise-En-Malta!

Mise-En-Malta is about all things film-related on the Maltese isles. 

Over the coming weeks you'll find a variety of articles about the film industry in Malta, including recent news, interesting tidbits of Maltese film history as well as interviews with local crew within various roles in the production process!

Visit regularly for new content published Mondays, Wednesdays and Fridays! 

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Interview with Ms. Michela Farrugia: Actress

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2021's Luzzu  has made waves in the local (and international!) film scene recently, and while I haven't yet had the chance to watch it myself ( please have a local release soon!), I have had the opportunity to interview Ms. Michela Farrugia, who plays leading man Jesmark's wife in the film. Farrugia gives us her insight on what it means to be within the acting profession on our isles, both in Film & TV as well as on-stage. Source: Twitter (@MichelaFarr) When asked to elaborate on what makes the two mediums most different, Farrugia told us that stage actors usually perform 'larger', as opposed to performances for more camera-centric mediums which allow for more subtlety owing the how the audience is placed in relation to the actors; "being able to whisper was new to me". There's also a difference in how one prepares for go-time. "In stage productions... there's a rehearsal period... in film, however, the actor needs to do a lot of his/her
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Interview with Ms. Martina Zammit Maempel: Costume Designer & Supervisor

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Actresses and actors can't fulfil their roles if they're still wearing their everyday clothes on-screen. Even if a film is set in contemporary times, it's important to remember that the actor is not their character, and would necessarily be wearing different clothing. Who gets to design and decide this? Who manages and coordinates the teams that aid in creating a character's identity in what they wear? Well, of course that's the costume designers and costume coordinators respectively. We spoke to Martina Zammit Maempel, a costume designer and costume supervisor from our own isles, for some more insight into the role.  Maempel has been working in film & TV for about 7 years. She first got into the industry after she returned from London where she had been working in the fashion industry. Upon moving back, since locally there was not much of a fashion industry, she decided to apply for a role in the costume department. "I seemed to be at the right place/right
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Interview with a Film Armourer: Mr. Stephen Petroni

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You're probably aware that you've seen more guns on the silver screen than you have in real life. But have you ever asked yourself where those guns come from? Who chooses which characters get which guns, and who does all the research to make sure historical characters aren't shooting guns which hadn't even been invented yet back in their time? Well, that's the job of the armoury department. We spoke to Stephen Petroni who, apart from being a firearms researcher and gun shop director, works as a film armourer and historical advisor. Along with his son Julian, he has worked in this capacity on most productions involving firearms shot in Malta since 2003. Stephen Petroni is the managing director of a gun shop and film armoury Petroni told us he first started working in the industry when he was contacted to provide arms for Silmido  (2003), a Korean action film directed by Kang Woo-suk. He provided a Browning machine gun which he adapted to fire blanks and loaded for us
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